Arctic temps are back in Blo this week while I opened A Midsummer Nights Dream this weekend. A collaboration between Irish Classical Theatre and the Buffalo Philharmonic Orchestra. Shakespeare and Mendelssohn. A lovely combination all around.
Photos coming soon to my portfolio pages. General updates to my recent productions are on the to-do list.
It must be time for Baba Yaga. Where else could you find a world of magical woodland creatures dancing with goblins and the undead? The Halloween folk tale opens tonight at Shea’s. A theatre filled with its own magical Art Deco architecture. Watch out for goblins.
It was the first real snow of the season, and it just perfectly set the mood for the first public performance of Neglia Ballet’s Nutcracker this past Saturday evening. In conjunction with the Buffalo Philharmonic Orchestra and Shea’s Performing Arts Center, year four of this annual event was a sparkle covered whirlwind of giant presents, giant staircases, giant snow trees, giant cupcakes, and giant cotton candy. I am the Lighting Designer for Act 1 and the Associate Set Designer. My friend and colleague, Lynne, is the Set Designer and Lighting Designer for Act 2. The long hours, yet still truncated tech time, are worth every minute for the look on my niece’s face when the Christmas Tree grows to 24’0 high onstage or when the battle scene in a Victorian ballroom has transformed into a land of Snow mountains and dancing snowflakes before her very eyes. It is a magical performance.
In addition to the two public performances, this year Neglia was able to sponsor a “children’s show” on Wednesday morning when almost 3000 Buffalo city school students were able to see Nutcracker, probably for the first time, on the grand Shea’s stage. A theatre full of wide eyed and imaginative young minds that react honestly and earnestly to every scene change and surprise is enough to put anyone in the Christmas spirit. Visions of sugar plums dancing in my head.
I have been thinking a lot lately about a quote from Linda Essig: “Your life outside the theatre is more important than your life inside the theatre.” I have taken that as a reminder to always enjoy every experience to its fullest extent. I love the work I do inside the theatre. Yes, it’s an art and a form of self-expression, and it’s amazingly self-satisfying to share my art with an audience, but it is work. It should not consume you or define you, but be a part of you. In an attempt to practice what I preach, I am sharing a photo from my evening on Sodus Bay where I was celebrating a dear friend and soaking up every bit of inspiration this view had to offer.